Philip Clemo did well to attract Arve Henriksen not only to play on his sixth album but to participate as a member of the octet that launched Dream Maps in Kings Cross last night. The Scottish-born guitarist and composer’s work was greatly enhanced by the contribution of the Norwegian trumpeter and singer, who proved himself an excellent team player as Clemo’s soundscapes unfolded beneath a screen on which film of tundras, mountains and oceans gave an indication of the music’s subtexts.
The cellist Emily Burridge, Sarah Homer on clarinets and soprano saxophone, Steven Hill on guitar, Martyn Barker on drums, Simon Edwards on bass guitar and the singer Evi Vine were the other members of the octet, which concentrated mostly on pieces from the new album. Gently insistent grooves, to which the combined texture of cello and bass clarinet added an interesting flavour, alternated with jangly folk-like structures in which the guitars came to the fore. Henriksen’s improvisations on regular and pocket trumpet were the highlights, but he also joined Vine and Clemo in vocal passages which made use of distortion, both natural and electronic.
Artfully mixed together with recordings of heartbeats and water by the sound engineer Phill Brown, the music washed gently but insistently over the clearly beguiled near-capacity crowd in Kings Place’s Hall 2. A term like “ambient trance” might have been evoked, but there was substance, too. The occasional rough edge betrayed the fact that this was Clemo’s first live gig in 10 years; its success should encourage him. And Dream Maps — on which Henry Lowther, B. J. Cole, John Edwards and others also make appearances — is well worth investigating by anyone who enjoys the territory explored by the likes of Jon Hassell (with and without Brian Eno), Jakob Bro and Henriksen in his various other guises.