Northern Soul at the Albert Hall

The spirits of Tobi Legend, Tony Clarke, Sandi Sheldon, Eddie Holman, Bobby Paris, Judy Street, Shane Martin, Dana Valery and other heroes of Northern Soul inhabited the Royal Albert Hall last night. Goodness knows what they would have made of the sight and sound of 5,000 people acclaiming performances of their songs in the second concert of the 2023 BBC Proms season.

To recreate 30 Northern Soul favourites with the BBC Concert Orchestra in such formal surroundings seemed like an endeavour fraught with risk. In fact it was an unmitigated triumph, for which enormous credit goes to the co-curators, the writer and broadcaster Stuart Maconie and the arranger Joe Duddell, as well as the half-dozen singers recruited to attempt the task.

The evening started with the ebullient Brendan Reilly delivering the MVPs’ “Turning My Heartbeat Up” and Dobie Gray’s “Out on the Floor”, setting the mood while reassuring the audience that the performances would both idiomatically accurate and true to the music’s spirit. It ended two hours later with all six singers taking turns to lead the audience in a wonderful version of Frank Wilson’s “Do I Love You (Deed I Do)”, the song that most perfectly captures the pure exhilaration of Northern Soul.

But there are many more shades to this music, as we heard as Frida Touray elegantly interpreted Rita and the Tiaras’ sublime “Gone With the Wind Is My Love” and Little Anthony and the Imperials’ sophisticated “Better Use Your Head”, in Nick Shirm’s elastic delivery of Shane Martin’s “I Need You”, Bobby Paris’s “Night Owl” and Jimmy Beaumont’s “I Never Loved Her Anyway”, in Natalie Palmer’s lively reading of Dana Valery’s “You Don’t Know Where Your Interest Lies” and Judy Street’s “What Can I Do”, in Darrell Smith’s stylish version of Ray Pollard’s “The Drifter”, and in Vula Malinga’s superb account of Gladys Knight’s gospel-driven “No One Can Love You More”. Reilly had just the voice for both the Trammps’ “Hold Back the Night” and the Carstairs’ “It Really Hurts Me Girl”.

As each singer took their solo turn, the others provided beautifully judged backing vocals. Gradually the orchestra, conducted by Edwin Outwater, came into its own, with Duddell and Fiona Brice providing the meticulously detailed arrangements: the strings soared, the brass and reeds thickened the sound. The rhythm section — Andy Vinter (piano), Alasdair Malloy (vibes), Pete Callard (guitar), Steve Pearce (bass guitar), Mike Smith (drums), Steve Whibley and Julian Poole (percussion) — provided the unstoppable momentum. Vibraphone and baritone saxophone, the keys to so many Motown-influenced Northern Soul favourites, were present and correct, while the guitarist chopped chords on the backbeat as the idiom demanded. The whole sound was mixed and balanced perfectly. A couple of times the singers stepped aside, allowing the orchestra to perform two of the backing tracks — “Sliced Tomatoes” and a magnificent “Exus Trek” — that were such an important part of the scene.

Darrell Smith, perfectly turned out in a brown Tonik suit, supplied soaring drama that stole the show late on with the Four Seasons’ “The Night”, the Albert Hall’s lighting technicians bathing the ecstatic throng in something approaching a mirror-ball effect. Then came the famous trio of songs with which the DJs at Wigan Casino closed their all-nighters: Dean Parrish’s “I’m on My Way”, Jimmy Radcliffe’s “Long After Tonight Is All Over” and Tobi Legend’s “Time Will Pass You By”, which between them summon all the emotions its audience continues to draw from this music: optimism and determination, but also the layer of aching sadness beneath the euphoria. All the complicated feelings of youth, captured in these seemingly disposable but resolutely enduring songs.

Maconie’s introduction had drawn cheers for his mentions of Manchester’s Twisted Wheel, Blackpool Mecca, Wigan Casino, Stoke’s Golden Torch and Bolton’s Va Va Club. This was a communal rite, a meeting of the clans, the reunion of a family in an alien setting that turned out to be a home from home. It was something very precious. I can’t begin to tell you how much I enjoyed it.

* You can hear BBC Prom 2: Northern Soul on BBC Sounds for the next 29 days. You can see it on BBC2 on 26 August and hear it again on BBC Radio 6 Music on 9 September.