Supernatural visitations are a regular feature of the novels and short stories of Haruki Murakami, many of which also benefit from a well chosen musical soundtrack. He combines the two in an unusually intimate way in a new short story titled “Charlie Parker Plays Bossa Nova”, published in the latest edition of Granta, the literary quarterly.
It begins with a student exercise in which the tale’s protagonist writes a review of an imaginary album, recorded in 1963, in which Charlie Parker — who has not, after all, died in 1955 — is accompanied by the piano of Antonio Carlos Jobim, the bass of Jimmy Garrison and the drums of Roy Haynes. The repertoire consists of well known Jobim tunes, including “Insensatez” and “Chega de Saudade”, and bossafied versions of a couple of Bird’s own classics, for which Hank Jones replaces the Brazilian at the keyboard.
The essay has been long forgotten when, after many years, its writer wanders into a small New York record store and, while browsing the racks, comes across what appears to be a bootleg version of the very album created by his own imagination. Later, while pondering on this mystery, he receives a visit from Parker himself.
Not wanting to spoil the reader’s pleasure, I’ll add only that it’s a delightful invention which reaffirms Murakami’s deep love of music — as lightly worn as ever, even when it provides the essence of the story. And the accompanying illustration, by Jon Gray, is perfect.
* Granta 148, a summer fiction special, is out now.