Joe Locke’s respite music
Joe Locke says his new album, Lay Down My Heart, is intended “to provide respite for folks who work hard every day and need an opportunity to slow down and be reacquainted with that certain something which eludes most of us in the midst of the whirlwind which is modern life”. We can all do with some of that from time to time.
After Bobby Hutcherson, who performs less frequently nowadays, Locke has a plausible claim to being thought of as the leading contemporary exponent of the vibraphone. In a recent post I wrote of being impressed by his playing on Centennial, Ryan Truesdell’s album of rediscovered Gil Evans arrangements, and by his solo on “The Barbara Song” in particular, and I was sorry to miss him in London recently, when he performed with the orchestra of the Royal Academy of Music. This new recording provides a clear sight of the 54-year-old Californian’s maturity and inventiveness.
It’s a quartet album, and although you probably wouldn’t be able to pick the pianist Ryan Cohan, the bassist David Finch and the drummer Jaimeo Brown out in an identity parade, that doesn’t always matter: their playing here is perfectly attuned to the leader’s conception, and sometimes, even in jazz, you don’t need to be original to sound sparklingly fresh.
The programme starts with a measured version of Bill Withers’ “Ain’t No Sunshine” that sounds like the sort of intelligently soulful jazz that might result if you could get Milt Jackson guesting with the old Ramsey Lewis Trio. But it’s the ballads that are the core of the album, particularly a lovely treatment of “I Can’t Make You Love Me”, a definition of heartbreak from the repertoire of Bonnie Raitt; a reading of Bobby Troup’s “The Meaning of the Blues” that carries only the faintest echoes of the versions Gil Evans devised for Miles Davis’s trumpet (on Miles Ahead) and George Adams’s tenor saxophone (on There Comes a Time); and the slinkiest version of “Makin’ Whoopee” since Dr John and Rickie Lee Jones gave it a whirl a few years back.
I’m going to file this one next to Hutcherson’s Happenings, a 1967 album on Blue Note with a similar quartet format, featuring Herbie Hancock, Bob Cranshaw and Joe Chambers, ready for use on Sunday mornings and in times of stress. It’s not an album to challenge the listener (although a version of Frank Foster’s “Simone” has the darker, more convoluted intensity of some of Hutcherson’s other Blue Note quartet work — on Andrew Hill’s Judgment, say, or his own Oblique). On its own terms, however, it is perfectly satisfying. And, as promised, good for whatever ails you.
* The photograph of Joe Locke was taken by Joseph Boggess and comes from the sleeve of Lay Down My Heart, which is released on the Motema label.
It’s downloadable at Emusic.com as are some of his other CDs.
This sounds excellent, but don’t forget Mulatu Astatke
oops sorry – link got vaporised http://www.youtube.com/watch?v=safPXb8wc8A
Sorry, Ben: that’s just my blinkered Western perspective kicking in… Mulatu sounds pretty good. I’ll investigate further.
Mulatu was featured on a couple of those excellent ‘Ethiopique’ compilations released a few years ago (and still available, I believe); Vol 4 of the series is pretty much entirely given over to his music and is superb. There’s a new CD – ‘Sketches of Ethipia’ – on the way
I was lucky enough to see the Joe Locke Royal Academy of Music gig – he was excellent, as were the young musicians he appeared with (along with Stan Sulzmann).
Graham is right. Ethiopiques Vol 4 (some if not all of which was used on the soundtrack to Jarmusch’s Broken Flowers if I remember rightly) is superb… up there with Vol 21, aka the legendary piano-playing Ethiopian nun.
Also v honoured to have got an admission of a “blinkered Western perspective” out of Richard. Coming soon… Robin Denselow admits to being insufficiently respectful of the early work of Aerosmith
Not sure your closing comparison is a good one. I would be mildly surprised if Richard expressed respect for any of the work of Aerosmith.
That’s why it was funny! Or perhaps I should say ‘meant to be funny’…
I can also vouch for the quality of the RAM concert. The student ensemble and their solo percussionists were excellent, with Joe Locke offering every encouragement. He must be an inspiring teacher.
Don’t miss Via, the most recent trio album by Tim Garland, Geoffrey Keezer and Locke. As the performers live in London, California and New York respectively it must have been an obvious decision to record in Ambleside.