Scott Walker’s death was announced today. As a small tribute, this is the introduction to a piece I wrote a couple of decades ago about the events of the year 1965.
In 1965, things changed fast. It just happened. You didn’t even have to try. Here’s a little story from one day in the spring of that year. Perhaps it says something about what things were like, and how special it felt, even then, even in the margins.
It’s a Friday evening. In a house in the Midlands, an 18-year-old boy is waiting to take a 17-year-old girl to the opening night of Bob Dylan’s first British tour. He has two tickets in his pocket. Sheffield City Hall, grand circle, front row, seven shillings and sixpence each.
The television is on as they prepare to leave her parents’ house. It’s Ready Steady Go!, live from London, the weekly hotline to the heart of whatever’s hip. One of the presenters — either the dolly-bird Cathy McGowan or the incongruously avuncular Keith Fordyce — announces the appearance of a new group. They’re from America, they’re called the Walker Brothers, and this is their first time on British TV. Their song is called “Love Her”.
On the small black and white screen, the face of a fallen angel appears. The boy and the girl are already cutting things fine for Dylan, but still the girl freezes in the act of putting on her coat and, as if in slow motion, sits down to watch the 21-year-old Scott Engel, clutching the microphone as though it were a crucifix, delivering the straining, heavily orchestrated teen ballad in a dark brown voice borrowed from the romantic hero of a picture strip in Romeo or Valentine.
As the song ends and the image fades, the girl shakes herself lightly, refocuses on her surroundings, pulls on her brown suede jacket. OK, she says. Ready to go.