The Originals — I’m pretty sure it’s Freddie Gorman, Walter Gaines, Hank Dixon and a replacement member, Dixon’s daughter Terrie — singing “Baby I’m For Real” in Pittsburgh in 2003, reprising their No 1 R&B hit of 1969. What a great record that was, and here given a performance epitomising the art of growing older with dignity utterly undiminished. This stuff just doesn’t get weary. And, like “The Bells”, its successor, it was co-written by Marvin Gaye with his first wife, Anna Gordy, whose death at the age of 92 has just been announced.
Every time I find myself writing the obituary of one of the great women of Motown, particularly those who existed in the background, such as Esther Gordy Edwards, Maxine Powell or now Anna Gordy Gaye, I’m reminded of what an extraordinary story it all was, from the moment in 1959 when, at a meeting to listen to Berry Jr asking to be given seed money from the family start-up fund, Anna and her sister Gwen sided with their brother, pleading his case so effectively that eventually Esther, the eldest sister, whose scepticism of his ability to get a business going made her the last obstacle, finally gave way.
As anyone who’s read a biography of Marvin Gaye or listened to Here, My Dear will know, Anna Gordy’s story wasn’t one of unrelieved happiness. But she was part of something which left us music, like “Baby I’m For Real”, that will be cherished for a long, long time.