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Posts tagged ‘Amina Claudine Myers’

Jun 10

A point of stillness

There is a balm in Gilead, according to an African American spiritual whose lines were borrowed from the Old Testament Book of Jeremiah, and there is a profound sense of healing in Solace of the Mind, the new solo album by the pianist and organist Amina Claudine Myers.

Born 83 years ago in Blackwell, Arkansas, Myers moved to Chicago after graduating from music college and became a member of the Association for the Advancement of Creative Musicians in 1966. Ten years later she moved to New York. Before this new album, her last one was as a duo with the trumpeter Wadada Leo Smith, a dedication to Central Park, released a year ago. Her early albums for the Leo label, Song for Mother E and a tribute to Bessie Smith, recorded in 1979 and 1980 respectively, were recently made available on Bandcamp.

She is a musician of great sophistication, rich in imagination and technical resources, but in this recital she pares everything back to the essence and what we hear is her soul. Like Abdullah Ibrahim, she can take an ancient structures and allow it to glow from somewhere deep within. The simpler the hymn and the more straightforwardly it’s played, the great the inner strength it exudes. As long, of course, as the playing is done by an Ibrahim or a Myers.

There are nine original pieces here, starting with a delicately surging reinterpretation of “Song for Mother E”. Others include the brief and stately “Hymn for John Lee Hooker” — more hymn than Hooker — and the rhapsodic “Twilight”. On “Ode to My Ancestors”, recorded at her home, she moves to her Hammond B3 and recites a poem over sustained organ notes which, thanks to a phasing effect, seem to be fluttering in a breeze. The only non-original is the lovely spiritual “Steal Away”, which gently summons a whole world of African American culture; the whole recital seems to pivot around it. The closing benediction is a study in patience and exquisite phrasing titled “Beneath the Sun”.

What you won’t find here is anything remotely resembling a display of virtuosity. What you might discover, amid an increasingly maddened world, is a welcome point of stillness. Highly recommended.

* Amina Claudine Myers’ Solace of the Mind is released on June 20 on the Red Hook label (redhookrecords.com). The uncredited photograph is borrowed from Myers’ website.

Jun 17

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A stroll in the park

Although Wadada Leo Smith and Amina Claudine Myers are both longtime members of Chicago’s Association for the Advancement of Creative Musicians, they had never recorded together before going into the studio to make Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens. Both are originally from the South — Wadada from Mississippi, Amina from Arkansas — but here they are in a suite of duets for trumpet and keyboards whose title refers to Manhattan’s 843-acre green space.

All but one of the pieces were written by Wadada, who likes to tie his compositions to specific sources of inspiration. In the past, these have included Rosa Parks, Thelonious Monk, Emmett Till, Billie Holiday, Martin Luther King and America’s national parks. His six pieces on Central Park find the two musicians conjuring solemn meditations, perhaps informed by the knowledge that part of the vast acreage was seized by compulsory purchase from the inhabitants of Seneca Village, a largely black settlement on what is now the Upper West Side, with a population of just over 200 (some of them Native Americans and Irish immigrants) in about 50 houses when it was taken and razed in 1857.

Individual sections are named after the Conservatory Garden — formal gardens located near 105th street — and two water features: the Harlem Meer, a man-made lake in the north-eastern corner, created at the confluence of three streams, and the Jacqueline Kennedy Onassis Reservoir, a little further south, between 86th and 96th Streets. Two others are titled “Albert Ayler — A Meditation in Light” and “Imagine — A Mosaic for John Lennon”. Ayler lived mostly in Harlem between 1963 and his death in 1970. Lennon died outside the Dakota building, where he and Yoko Ono lived, on Central Park West.

There’s nothing programmatic about these pieces, nothing to provide an explicit reminder of Jackie O, Ayler, Lennon or large expanses of water, although I suppose “Central Park at Sunset”, the sixth piece, could be described as a tone poem, at a push. But there is a sense of weight and contemplation to them all, and a powerful continuity of mood. These are veterans — both are 82 — but their playing is poised, firm, probing and heartfelt. Variations are provided by Wadada’s occasional use of a mute and Amina’s switch to a Hammond B3 on the Jackie dedication. And at the midpoint of the album she gets five minutes to herself for a solo called “When Was”, the piano ringing with echoes of hymns and ragtime airs until she gathers them up and and shakes them out in a terse, pounding finale.

From Louis Armstrong with Earl Hines through Ruby Braff with Ellis Larkins to Arve Henriksen with Harmen Fraanje, trumpet and piano duets are a precious jazz tradition. This, from two of the elders, is a very special one.

* Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens is on the Red Hook label. The composite photo of Wadada Leo Smith and Amina Claudine Myers is by Luke Marantz.