Allen Toussaint takes requests
Something magical happened at the very end of Allen Toussaint’s solo show at Ronnie Scott’s last night. A very enthusiastic fan in the front row, who had been permitted to sing most of the lead vocal on “Brickyard Blues” earlier in the set, invited Toussaint to play “On Your Way Down” — a song that appeared on his album Life Love & Faith in 1972 and was unforgettably covered by Little Feat on Dixie Chicken a year later — as his encore. The great man complied, and immediately led us into territory we had not visited in the preceding hour and a half.
Much of his performance — including a medley of the hits he wrote for Ernie K-Doe, Benny Spellman and Lee Dorsey in the early ’60s, and other classics such as “Shoorah, Shoorah”, “Sneakin’ Sally Through the Alley”, “Yes We Can”, “Southern Nights” and “What Do You Want the Girl to Do” — had been genial, expansive, discursive, showcasing his wonderfully witty and flexible New Orleans-bred piano playing. There was also a sweetly elegiac rendering of Jesse Winchester’s heartbreaking “I Wave Bye Bye”, which Toussaint recorded for the tribute album to the singer-songwriter last year, and a gorgeously plain “St James Infirmary”, as heard on his most recent album, The Bright Mississippi (2009).
But the encore was something different. For a couple of minutes we were transfixed by a 76-year-old master’s journey to the essence of the music with which he has lived his life: to the heart of the blues, of which “On Your Way Down”, with the sober elegance of its contours and its wry reflection on the human condition, is one of the very greatest examples.